The Welsh Comedian's Country Music Journey Review: Evidence That Steve Coogan Isn't Necessary for a Fun Travel Series
Although the continent-crossing reality competition the travel contest might not have been the summer smash the BBC were hoping for, it provided presenter Brydon a stylish transformation. The convoluted coach trip clearly wanted to give off a globetrotting atmosphere, so the show's host got dressed with premium suits: boldly coloured matching ensembles, silky cravats and nautical jackets. All of a sudden, he acquired the sophisticated appearance to match his classic 007 impersonation.
Costume Changes with Musical Roots
His latest trilogy of episodes, Rob Brydon's Honky Tonk Road Trip, also features themed outfit thematic wardrobe. The affable comedian goes full Yellowstone cowpoke sporting plaid tops, rugged jackets and sometimes a Stetson hat. This complements of a premise where he driving a massive American truck on a 2,000-mile circuit of the southern US to learn quickly in country music.
His mission involves celebrating the centenary of country music – or at least the century mark of the legendary broadcast which became the Grand Ole Opry, foundation and star-maker in the industry for generations – through the classic celebrity travelogue tradition of driving around, chatting with residents and engaging deeply with traditions. This anniversary aligns with country becoming, according to him, “the most rapidly expanding genre in the UK” – thanks to global superstars and recent countrified albums from multiple artists, Post Malone and various performers – provides additional perspective for examination.
Road Trip Experience and Personal Doubts
It's established he enjoys long drives and a chinwag because of the various incarnations of The Trip alongside his comedy partner. But at first he seems unsure if he is truly qualified as a presenter. Watching him speak with a dashboard-mounted camera certainly brings back recollections of Keith, the sad-sack cabby from Brydon's TV breakthrough, Marion & Geoff. Traveling toward Music City, he calls his Gavin & Stacey co-star Ruth Jones to boost his confidence. She recalls his authentic music credentials: a past charity single of Islands in the Stream was a UK No 1. (“The original artists only made it to seventh place!” she points out.)
Conversational Talents and Cultural Immersion
While the overwhelming experience during an evening in the city proves challenging for the host – trying to dance alongside a performer turned country singer results in him tap out during the opening Shania Twain song – the 60-year-old is much more steady in the interview segments. His respectful interview style blends well local etiquette, gathering anecdotes about legends and reflections on the spirit of the genre from experienced elders like the Grand Ole Opry fixture a renowned figure and nonagenarian celebrity clothier Manuel Cuevas. His gentle manner is effective with younger guns, like the scraggly-bearded chart-topping singer and the bluegrass banjo maestro a talented musician.
While some of the anecdotes seem familiar, the opening episode includes at least one genuine curveball. Why exactly is the pop star doing hanging out in a homely recording space? Reportedly, he's visited to Tennessee to refine his compositions since the 1990s, and cites Glen Campbell as inspiration for his band's bulletproof ballad Back for Good. Finally, we meet a guest Brydon can needle, joke with and wind up without worrying about creating a diplomatic incident. (The good-natured star, is very game.)
Cultural Context and Unscripted Moments
Given a hundred years of the genre to explain and celebrate, it is understandable that this southern-fried tour through Tennessee and Kentucky (including visits to other areas upcoming) wants to focus on the art and without needing to address contemporary issues. Yet it inevitably includes a little. While guesting on the polished program on the local broadcaster WSM – proud founder of the Grand Ole Opry – the host humorously asks whether the nations are still friends, disrupting the polished presenters from their rhythm. The audience doesn't see the likely presumably icy aftermath.
Ideal Presenter for the Format
Despite his visible insecurity, he is obviously well-suited for this type of lighthearted series: friendly, engaged, modest and always ready for costume changes, even if he struggles to find an elaborate western top that comes in a medium. Might his partner worry that his wingman can do the whole travelogue thing without him? Absolutely.